Thank you for watching, sharing, rating, and reviewing In Her Name!
We appreciate you streaming In Her Name across Apple TV+, Prime Video, Google Play, Kanopy, and Fandango!
The wide release for our first official feature film, In Her Name, was a success thanks to your continued support.
AVAILABLE NOW ON ALL MAJOR STREAMING PLATFORMS!
Thank you Tribeca Films, Giant Pictures, and Drafthouse!
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Get it on Apple TV+, Amazon, Google, Kanopy, and Fandango.
For a limited time you can purchase the exclusive Tribeca Films Blu-ray on Amazon, which includes our behind the scenes documentary short Three Women | Two Stories | One Vision: The Making of In Her Name, written and directed by Sarah Carter, edited by Adam Petrishin, with music by Ali Helnwein.
You can learn more about the documentary here as well as share the trailer, and purchase the Blu-ray below.
There’s no place like home.
In Her Name’s FINAL festival screening is with GIFF!
The largest rural film festival in Canada, The Gimli International Film Festival embraces film as a form of communication with the ability to give perspective to the issues of today as well as a deeper understanding of the past.
In Her Name’s Writer, Director, Producer Sarah Carter grew up in Winnipeg so this is a particularly special film festival to close out the festival run with.
Thank you, Gimli International Film Festival!
The Best Movie at Cannes This Year Was an Oddball Canadian Comedy.
— Vulture
It was a sweet surprise to see a fellow Winnipeg filmmaker from Gimli, Matthew Rankin, honored at Cannes Film Festival this year. CMP was there participating in Marche du Film selling In Her Name, A Pity, Paris Shanghai, and Girl Who Needed a Ride when Cannes honored Rankin with the first ever Director’s Fortnight Audience Award for his film Universal Language. An encouraging victory adding to the line of great filmmakers, most notably Guy Maddin and Neil Young, born out of Sarah’s small but mighty hometown.
“One of the perils of big festivals with big titles is the ongoing fear that you’re going to miss the real gems: the films from lesser-known directors that play far from competition, in other programs. At Cannes, this fear is particularly pronounced, because even as the main festival’s Official Selection goes on, there exist multiple side festivals, each with its own full slate of ambitious international movies. At Cannes, Directors’ Fortnight and Critics’ Week are the two best known of these. Outside of the festival bubble, they’re all lumped under the general “Cannes” umbrella, but in truth, those of us on the ground are torn morning, noon, and night between the big movies starring famous and famous-ish names, and the smaller ones playing in theaters elsewhere on the Croisette. And some of these are extraordinary movies. Directors’ Fortnight, for example, was where Chloé Zhao’s The Rider (2017), Sean Baker’s The Florida Project (2017), and Céline Sciamma’s Girlhood (2014) were discovered. Hell, it was where Mean Streets (1973) and Aguirre, the Wrath of God (1972) played. And this year, it screened what might be the best picture I’ve seen at Cannes: Matthew Rankin’s Universal Language.
On the surface, Rankin’s film seems like something best appreciated by film geeks, but I suspect it will resonate well beyond the ranks of the pale and pointy. The movie opens with a production credit, in Farsi, for the Winnipeg Institute for the Intellectual Development of Children and Young People, which as far as I can tell is not a real organization…”
Check out the rest of the article here:
Cherry Picks Interview
Thank you to Cherry Picks for a wonderful IG feature! CherryPicks Director’s Diaries highlights female and non-binary directors across the industry. You can check out their interview with Sarah below.
Cheshire Moon Productions is committed to creating works that reflect the journey home to self and soul. The creations and experiences provided serve to be a reminder of who we all are uniquely and as a whole… and to invest in genius artists who have been outcasted to both succeed and feel less alone.
~ S ~
Sarah Carter, CEO Cheshire Moon Productions